The translation isn't perfect, but Aristotle's main point in a
quote to which he's attributed is that poetry is often truer than
history, for it captures the universal experience, while history is
relegated to a particular time and place.
This is the theme “Boardwalk Empire” has flirted with since it
debuted on HBO six years ago. A series that consistently dealt you
style in addition to (and sometimes, I would argue in lieu of)
substance, Terrence Winter's love song to the era that birthed
organized crime in the United States consistently took license with
the historical record to bring viewers an intensely personal drama.
Boardwalk struggled to recapture its central conflict after Steve
Buscemi's Nucky Thompson killed his main threat, Jimmy Darmody, at
the end of season 2. We were introduced to Bobby Canavale's brilliant
Gyp Rosetti in season 3, then Jeffrey Wright's verbose and wily
Valentin Narcisse in season 4, who quickly picked a fight with
Michael Kenneth Williams' Chalky White. In the interim, Jack Huston's
Richard Harrow tried and failed to establish a normal life for
himself after putting that rifle in his mouth in season 2, Nelson Van
Alden (Michael Shannon) bumbled his way through a stint in organized
crime in Chicago and attracted the attention of Stephen Graham's Al
Capone, while Gillian Darmody (Gretchen Mol) descended slowly into an
opium-fueled madness that produced some of the series' finest (and
creepiest) performances.
It was, to put it mildly, an oft-unfocused mess. While the
backdrop of violence, sex and power-grabbing (fueled mostly by the
brilliant performances of Vincent Piazza and Anatol Yusef as Charles
“Lucky” Luciano and Meyer Lansky, respectivey) always kept
viewers glued to the screen, the series was billed as Nucky
Thompson's rise and fall from power, a theme that seemed to die along
with Jimmy in that rain-soaked construction pit.
Thankfully, season 5 successfully recaptured that spirit,
introducing us to a younger Nucky as he developed into the
“half-gangster” we say greasin' palms and griftin' so many years
ago. And in the series finale, that story arc came full circle in a
climax that brilliantly thumbed its nose at history and gave us the
poetic end Nucky deserved, rather than the quiet death he received in
real life.
Enoch “Nucky” Johnson, the real life mogul that Nucky Thompson
is based upon, lived to 85, dying of old age in Northfield, New
Jersey, in 1968. Had the writers chosen to give their title
character, who differed from the real Johnson in many ways, such an
end, it would have been an affront to the decision to make him the
source of his own fall from grace. The final moments of the series
finale brilliantly blend the fatal pistol blasts from a young Tommy
Darmody with the offer of Gillian to the commodore, Nucky's act of
desperation for power that spawns all the events of the series. It's
an ending that forms a perfect circle and the closure to Nucky's
quest for power – and its convoluted telling – that only art, not
life, could produce.
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